Today’s the day!
Good Guys is on sale today in paperback, e-book, and audio book!
I’m so excited to have my second novel out in the world. It’s been such fun hearing from early readers on instagram and reading the excellent reviews. Over the last few days, friends who received special copies from me have confessed they’ve been sneaking stolen moments with the novel during their work days and staying up late into the night because they couldn’t put the book down. Great! The manuscript kept me up plenty of nights. Your turn now, readers.
Aliens
Earlier this year, I read a historical fiction about a young brown girl in a British boarding school. The perspective was close third person. The inner life of the protagonist was central to the story. In the opening chapter, the character wakes up, looks at herself in the mirror, and dwells on disparaging thoughts about how “swarthy” and “dusky” and “dingy” her skin is, how different she is from the other girls at school. And then she continues to have these othering thoughts about herself, obsessing over whether or not she is a “true Briton.” I have been a brown person in all-white spaces (hi, rural Newfoundland!) and I’m a sucker for stories set in Victorian England. I should be the ideal reader for this book. Instead, I felt alienated. Whose gaze is that in the mirror? It’s not the gaze of a brown character. It’s the gaze of the white author. A white author who perhaps - let’s be generous - tried their level best to get into the skin of brown character and failed.
Yellow
No more novels about writers writing books, I swore. And then I read Yellowface by R.F. Kuang. Yellowface is the story of two authors. Athena is Asian and hugely successful. (I kept thinking of Zadie Smith, getting that mega publishing deal while she was still at OxBridge. ) June is white and midling. When Athena dies, June takes her unpublished manuscript - about the Chinese Labour Corps in WW I - and passes it off as her own. Spoilers ahead.
Cozy murder mystery
Shehan Karunatilaka’s 2022 Booker winning novel The Seven Moons of Maali Almeida is an absurd life-after-death romp about a young man who, against the better judgement of wiser ghosts, goes in search of his killers. It’s a whodunit set in Sri Lanka in 1990, smack in the middle of the civil war. It’s irreverent, unsentimental, and uproarious.